盗梦空间的

Cobb: To take a leap of faith yes. Come back, and we'll be young men toger again. Come back to me...

You're waiting for a train - a train that will take you far away. You know where you hope the train will take you, but you can't know fSaito: Cobb? Imsible - He and I were young men toger, now I'm an old man.or sure. But it doesn't matter, because we'll be toger.

okay教师空间 教师空间登录okay教师空间 教师空间登录


okay教师空间 教师空间登录


你在等一班火车，火车会带你去很远的地方，你知道火车会带你去哪，但你并不确定，不过不重要，因为我们会永远在一起。

You’re waiting for a train

a train that will take you far away.

You know where you hope

the train will take you,

but you can’t know for sure.

But it doesn’t matter,

because we’ll be toger.

1. You're waiting for a train - a train that will take you far away. You know where you hope the train will take you, but you can't know for sure. But it doesn't matter, because we'll be toger.

- Cobb

2. What is the most resilient parasite? Bacteria? A virus? An intestinal worm? An idea. Resilient... highly contagious. Once an idea has taken hold of the brain it's almost imsible to eradicate. An idea that is fully formed - fully understood - that sticks; right in there somewhere.

- Cobb

3. Cobb: (Over the phone) How are you, huh? How are you doing?

James: Okay, I guess.

Cobb: Who's just okay? Is that you, James?

James: Yeah. Is Mommy with you?

Cobb: James, we talked about this. Mommy's not here anymore.

James: Where?

Saito: Inception. Is it sible?

Arthur: Of course not.

Saito: If you can steal an idea, why can't you plant one there instead?

Arthur: Okay, this is me, planting an idea in your mind. I say: don't think about elephants. What are you thinking about?

Saito: Elephants?

Arthur: Right, but it's not your idea. The dreamer can always remember the genesis of the idea. True inspiration is imsible to fake.

Cobb: No, it's not.

5. Cobb: I'm just doing what you taught me.

Professor: I nr taught you to be a thief.

6. Cobb: You create the world of the dream, you bring the subject into that dream, and they fill it with their subconscious.

Ariadne: How could I r acquire enough detail to make them think that its reality?

Cobb: Well dreams, they feel real while we're in them, right? It's only when we wake up that we realize how things are actually strange. Let me ask you a question, you, you nr really remember the beginning of a dream do you? You always wind up right in the middle of what's going on.

Ariadne: I guess, yeah.

Cobb: So how did we end up here?

Ariadne: Well we just came from the a...

Cobb: Think about it Ariadne, how did you get here? Where are yoight now?

Ariadne: We're dreaming?

7. Cobb: You create the world of the dream. We bring the subject into that dream and fill it with their subconscious.

Ariadne: How could I r acquire enough detail to make them think that it's reality?

Cobb: Our dreams, they feel real while we're in them right? Its only when we wake up then we realize that soming was actually strange!

8. Arthur: So, a totem. It's a all object, potentially hey, soming you can he on you all the time...

Ariadne: What, like a coin?

Arthur: No, it has to be more unique than that, like - this is a loaded die.

(Ariadne reaches out to take the die)

Arthur: . Nah, I can't let you touch it, that would defeat the pure. See only I know the balance and weight of this particular loaded die. That way when you look at your totem, you know beyond a doubt you're not in someone else's dream.

9. The moment's passed. Whatr I do I can't change this moment. I'm about to call out to them. They run away. If I'm r going to see their faces I've gotta get back home, the real world.

- Cobb

10. Eames: Do they come here to sleep?

Thin Man: (Looking at Cobb) No, They come here to be woken up. Dream has become their reality! Who are you to say, otherwise?

11. Cobb: I will split up my father's empire. Now this is obviously an idea that Robert Fischer will choose to reject - which is why we need to plant it deep in his subconscious. Subconscious is fueled by emotion, right? Not reason. We need a find a way to translate this into an emotional concept.

Arthur: How do you translate a business strategy into an emotion?

Cobb: Well, that's what we're here to figure out, right? Now Fischer's relationship with his father is stressed, to say the least...

Eames: Well, can we run with that? Suggest splitting up the empire as a "screw-you" to the old man?

Cobb: No, cause I think itive emotion trumps negative emotion ry time. We all cre reconciliation - we're catharsis. We need Robert Fischer to he a itive emotional reaction to all this.

Eames: Alright, well try this. My father accepts that I want to create for myself, not follow in his footsteps.

Cobb: That might work.

Arthur: Might? We're gonna need to do a little better than might.

Eames: Oh, thank you for your contribution, Arthur!

Arthur: Forgive me for wanting a little specificity.

(Eames appears confused at the word)

Arthur: Specificity?

12. Mal: What are you doing here?

Ariadne: My name is...

Mal: I know who you are. What are you doing here?

Ariadne: I'm just trying to understand...

Mal: How could you understand? Do you know what it is to be a lover? To be half of a whole?

Ariadne: No...

Mal: I'll l you a riddle. You're waiting for a train. A train that will take you far away. You know where you hope this train will take you, but you can't be sure. But it doesn't matter. How can it not matter to you where this train will take you?

Cobb: Because you'll be toger.

13. Ariadne: When were you in Limbo?

Cobb: Truth? What truth?

Ariadne: The truth that at any minute, you might bring a freight train through the wall. The truth that Mal is bursting through your subconscious. And the truth that as we go deeper into Fischer we're also going deeper into you. And I... I'm not sure we're gonna like what we find.

Cobb: We were working toger. We were exploring the concept of a dream within a dream. I kept pushing things. I wanted to go deeper and deeper. I wanted to go further. I just didn't understand the concept that hours could turn into years down there. That we could get trapped so deep. That when we wind up on the shore of our subconscious we lost side of what was real. We created. We built a world for ourselves. We did that for years. We got our own world.

Ariadne: How long were you stuck there?

Cobb: Soming like fifty years.

Ariadne: Jesus. How could you stand it?

14. After my mother died, you know what he told me? "Robert, there's really nothing to be said."

- Fisher

15. Arthur: What about his security? It's gonna get worse as we go deeper.

Cobb: I think we run with Mr. Charles.

Arthur: No.

Eames: Who's Mr. Charles?

Arthur: Bad idea.

Cobb: The second we get in that ho with Fischer, his security is gonna be all over us. We run with Mr. Charles like we did on the Stein job.

Eames: So you've done it before?

Arthur: Yeah, and it didn't work. The subject realized he was dreaming and his subconscious tore us to pieces

16. Wait, whose subconscious are we going through exactly?

- Ariadne

17. The seed that we planted in this man's mind may change rything.

- Cobb

18. Eventually, She ls me the truth that she was sessed by an idea, just one idea that changed rything, that our world wasn't real and in order to get back to the reality, We'll he to kill ourselves.

- Cobb

19. I wish, I wish more than anything. But I can't imagine you with all your complexity, all you perfection, all your imperfection. Look at you. You are just a shade of my real wife. You're the best I can do; but I'm sorry, you are just not good enough.

- Cobb

Cobb: I know. But we can't. And I'm sorry.

Mal: Yoemember when you asked me to marry you? You said you dreamt that we'd grow old toger.

Cobb: And we did... I miss you more than I can bear... but we had our time toger. And now I he to let go...

21. Cobb: You're waiting for a train. A train that will take you far away. You know where you hope this train will take you, but you can't be sure. Yet it doesn't matter. Now, l me why?

Mal: Because, we'll be toger!

22. Saito: So he you come to kill me? I've been waiting for someone to come for me...

Cobb: Someone from a half remembered dream...

Cobb: Filled with regret...

Saito: Waiting to die alone...

(Sees the top spinning without end)

Cobb: that this world isn't real...

Saito: To convince me to honor the arrangement.

(Saito reaches for the gun)

Cobb: Come back...

You’re waiting for a train. You know where you hope the train will take you, but you can’t know for sure.But it doesn’t matter, because we’ll be toger.

小子，做梦呢不用那么客气！———《盗梦空间》

盗梦空间的

4. Cobb: What do you want?

You're waiting for a train - a train that will take you far away. You know where you hope the train will take you, but you can't know for sure. But it doesn't matter, because we'll be toger.

你在等一班火车，火车会带你去很远的地方，你知道火车会带你去哪，但你并不确定，不过不重要，因为我们会永远在一起。

You’re waiting for a train

a train that will take you far away.

You know where you hope

the train will take you,

but you can’t know for sure.

But it doesn’t matter,

because we’ll be toger.

1. You're waiting for a train - a train that will take you far away. You know where you hope the train will take you, but you can't know for sure. But it doesn't matter, because we'll be toger.

- Cobb

2. What is the most resilient parasite? Bacteria? A virus? An intestinal worm? An idea. Resilient... highly contagious. Once an idea has taken hold of the brain it's almost imsible to eradicate. An idea that is fully formed - fully understood - that sticks; right in there somewhere.

- Cobb

3. Cobb: (Over the phone) How are you, huh? How are you doing?

James: Okay, I guess.

Cobb: Who's just okay? Is that you, James?

James: Yeah. Is Mommy with you?

Cobb: James, we talked about this. Mommy's not here anymore.

James: Where?

Saito: Inception. Is it sible?

Arthur: Of course not.

Saito: If you can steal an idea, why can't you plant one there instead?

Arthur: Okay, this is me, planting an idea in your mind. I say: don't think about elephants. What are you thinking about?

Saito: Elephants?

Arthur: Right, but it's not your idea. The dreamer can always remember the genesis of the idea. True inspiration is imsible to fake.

Cobb: No, it's not.

5. Cobb: I'm just doing what you taught me.

Professor: I nr taught you to be a thief.

6. Cobb: You create the world of the dream, you bring the subject into that dream, and they fill it with their subconscious.

Ariadne: How could I r acquire enough detail to make them think that its reality?

Cobb: Well dreams, they feel real while we're in them, right? It's only when we wake up that we realize how things are actually strange. Let me ask you a question, you, you nr really remember the beginning of a dream do you? You always wind up right in the middle of what's going on.

Ariadne: I guess, yeah.

Cobb: So how did we end up here?

Ariadne: Well we just came from the a...

Cobb: Think about it Ariadne, how did you get herCobb: You're actually in the middle of the workshop right now, sleeping. This is your first lesson in shared dreaming. Stay calm.e? Where are yoight now?

Ariadne: We're dreaming?

7. Cobb: You create the world of the dream. We bring the subject into that dream and fill it with their subconscious.

Ariadne: How could I r acquire enough detail to make them think that it's reality?

Cobb: Our dreams, they feel real while we're in them right? Its only when we wake up then we realize that soming was actually strange!

8. Arthur: So, a totem. It's a all object, potentially hey, soming you can he on you all the time...

Ariadne: What, like a coin?

Arthur: No, it has to be more unique than that, like - this is a loaded die.

(Ariadne reaches out to take the die)

Arthur: . Nah, I can't let you touch it, that would defeat the pure. See only I know the balance and weight of this particular loaded die. That way when you look at your totem, you know beyond a doubt you're not in someone else's dream.

9. The moment's passed. Whatr I do I can't change this moment. I'm about to call out to them. They run away. If I'm r going to see their faces I've gotta get back home, the real world.

- Cobb

10. Eames: Do they come here to sleep?

Thin Man: (Looking at Cobb) No, They come here to be woken up. Dream has become their reality! Who are you to say, otherwise?

11. Cobb: I will split up my father's empire. Now this is obviously an idea that Robert Fischer will choose to reject - which is why we need to plant it deep in his subconscious. Subconscious is fueled by emotion, right? Not reason. We need a find a way to translate this into an emotional concept.

Arthur: How do you translate a business strategy into an emotion?

Cobb: Well, that's what we're here to figure out, right? Now Fischer's relationship with his father is stressed, to say the least...

Eames: Well, can we run with that? Suggest splitting up the empire as a "screw-you" to the old man?

Cobb: No, cause I think itive emotion trumps negative emotion ry time. We all cre reconciliation - we're catharsis. We need Robert Fischer to he a itive emotional reaction to all this.

Eames: Alright, well try this. My father accepts that I want to create for myself, not follow in his footsteps.

Cobb: That might work.

Arthur: Might? We're gonna need to do a little better than might.

Eames: Oh, thank you for your contribution, Arthur!

Arthur: Forgive me for wanting a little specificity.

(Eames appears confused at the word)

Arthur: Specificity?

12. Mal: What are you doing here?

Ariadne: My name is...

Mal: I know who you are. What are you doing here?

Ariadne: I'm just trying to understand...

Mal: How could you understand? Do you know what it is to be a lover? To be half of a whole?

Ariadne: No...

Mal: I'll l you a riddle. You're waiting for a train. A train that will take you far away. You know where you hope this train will take you, but you can't be sure. But it doesn't matter. How can it not matter to you where this train will take you?

Cobb: Because you'll be toger.

13. Ariadne: When were you in Limbo?

Cobb: Truth? What truth?

Ariadne: The truth that at any minute, you might bring a freight train through the wall. The truth that Mal is bursting through your subconscious. And the truth that as we go deeper into Fischer we're also going deeper into you. And I... I'm not sure we're gonna like what we find.

Cobb: We were working toger. We were exploring the concept of a dream within a dream. I kept pushing things. I wanted to go deeper and deeper. I wanted to go further. I just didn't understand the concept that hours could turn into years down there. That we could get trapped so deep. That when we wind up on the shore of our subconscious we lost side of what was real. We created. We built a world for ourselves. We did that for years. We got our own world.

Ariadne: How long were you stuck there?

Cobb: Soming like fifty years.

Ariadne: Jesus. How could you stand it?

14. After my mother died, you know what he told me? "Robert, there's really nothing to be said."

- Fisher

15. Arthur: What about his security? It's gonna get worse as we go deeper.

Cobb: I think we run with Mr. Charles.

Arthur: No.

Eames: Who's Mr. Charles?

Arthur: Bad idea.

Cobb: The second we get in that ho with Fischer, his security is gonna be all over us. We run with Mr. Charles like we did on the Stein job.

Eames: So you've done it before?

Arthur: Yeah, and it didn't work. The subject realized he was dreaming and his subconscious tore us to pieces

16. Wait, whose subconscious are we going through exactly?

- Ariadne

17. The seed that we planted in this man's mind may change rything.

- Cobb

18. Eventually, She ls me the truth that she was sessed by an idea, just one idea that changed rything, that our world wasn't real and in order to get back to the reality, We'll he to kill ourselves.

- Cobb

19. I wish, I wish more than anything. But I can't imagine you with all your complexity, all you perfection, all your imperfection. Look at you. You are just a shade of my real wife. You're the best I can do; but I'm sorry, you are just not good enough.

- Cobb

Cobb: I know. But we can't. And I'm sorry.

Mal: Yoemember when you asked me to marry you? You said you dreamt that we'd grow old toger.

Cobb: And we did... I miss you more than I can bear... but we had our time toger. And now I he to let go...

21. Cobb: You're waiting for a train. A train that will take you far away. You know where you hope this train will take you, but you can't be sure. Yet it doesn't matter. Now, l me why?

Mal: Because, we'll be toger!

22. Saito: So he you come to kill me? I've been waiting for someone to come for me...

Cobb: Someone from a half remembered dream...

Cobb: Filled with regret...

Saito: Waiting to die alone...

(Sees the top spinning without end)

Cobb: that this world isn't real...

Saito: To convince me to honor the arrangement.

(Saito reaches for the gun)

Cobb: Come back...

You’re waiting for a train. You know where you hope the train will take you, but you can’t know for sure.But it doesn’t matter, because we’ll be toger.

小子，做梦呢不用那么客气！———《盗梦空间》

如何在DOS下修改FTP空间密码?

Ariadne: You might he the rest of the team convinced to carry on with this job but they don't know the truth.

在“开始----运行”中输入“ftp”，后按回车运行，看到提示符：“ftp>”

Cobb: It wasn't so bad at first. Feeling like gods. The problem was that I knew that none of that was real. Eventually, it has became imsible for me to live like that.

输入命令“open 218.4.193.138”（218.4.193.138是指主机地址，在我们发给您的开通使用那封邮件里有您的网站空间主机地址，替换上去就行了）按 回车，系统会提示输入输入User（用户名），再回车，会提示输入Password（密码），屏幕上出现“230 User logged in,roceed.”表示已连接成功！

此时输入命令“quote site pswd 旧密码 新密码”后回车，屏幕上出现“230 Password changed okay.”表示密码已经修改成功！

输入“bye”断开这个FTP连接，确保安全退出。

另外，如果在没有断开一个FTP连接之前想再"open"另一个FTP连接的话，系统会提示“Already connected to xxx.xxx.xxx.xxx, use disconnect first.”（已连接到了xxx.xxx.xxx.xxx，请用disconnect先退出连接），这时可以用“bye”或是“disconnect” 命令断开后，再重新连接另一个FTP。

2、使用LEAPFTP修改： 运行Leapftp，找到“工具----原始命令”，或直接按“Ctrl+R”。 输入命令“site pswd 旧密码 新密码”提示信息“230 Password changed okay.” 表示密码修改成功。

3、其它FTP软件修改： 与leapftp相似，只需运行原始命令“site pswd 旧密码 新密码”即可

如何在DOS下修改FTP空间密码?

20. Mal: We'd be toger forr. You promised me.

在“开始----运行”中输入“ftp”，后按回车运行，看到提示符：“ftp>”

输入命令“open 218.4.193.138”（218.4.193.138是指主机地址，在我们发Cobb: I've come back to remind you of soming... soming you once knew...给您的开通使用那封邮件里有您的网站空间主机地址，替换上去就行了）按 回车，系统会提示输入输入User（用户名），再回车，会提示输入Password（密码），屏幕上出现“230 User logged in,roceed.”表示已连接成功！

此时输入命令“quote site pswd 旧密码 新密码”后回车，屏幕上出现“230 Password changed okay.”表示密码已经修改成功！

输入“bye”断开这个FTP连接，确保安全退出。

另外，如果在没有断开一个FTP连接之前想再"open"另一个FTP连接的话，系统会提示“Already connected to xxx.xxx.xxx.xxx, use disconnect first.”（已连接到了xxx.xxx.xxx.xxx，请用disconnect先退出连接），这时可以用“bye”或是“disconnect” 命令断开后，再重新连接另一个FTP。

2、使用LEAPFTP修改： 运行Leapftp，找到“工具----原始命令”，或直接按“Ctrl+R”。 输入命令“site pswd 旧密码 新密码”提示信息“230 Password changed okay.” 表示密码修改成功。

3、其它FTP软件修改： 与leapftp相似，只需运行原始命令“site pswd 旧密码 新密码”即可