什么都不必说 比莉_什么都不必说比莉舞步
迈克尔杰克逊的歌都想表达的是什么意思？不要简单的翻译歌词！
《放羊的星星》林志颖、刘荷娜、立威廉、洪小铃、李威笼统地跟你讲一下吧，mj的歌大多都是在传递爱，宣扬世界的美好等等积极的方面，他的歌曲内容非常的多元化，这也是他非常伟大的地方。比较有代表性的有：Black
什么都不必说 比莉_什么都不必说比莉舞步
什么都不必说 比莉_什么都不必说比莉舞步
or
white，mj在歌词以及mv末处的舞蹈中都表达了他对种族的强烈否定，他坚信人人平等，也呼吁每个人公正地看待每一个人，无论他的种《恶作剧之吻》郑元畅、林依晨、汪东城、陈怡嘉、许玮甯族，肤色。至于Man
in
the
建议去看一下他有中英字幕的mv
你说话很温柔，像一颗石头，坚定的锁住我心头波涛，什么意思？
太过清醒怎么陶醉Dear John-比莉
也许爱过至少学会找到感动或知足首先dear john本身就是“分手信”的意思，写一首歌以他命名。歌词大意是：你是不是认为我太年轻，所以无法相处，你是否觉得19岁还过于年轻，无法与你一起玩那黑暗而扭曲的游戏，当我是如此爱你的时候，关上门 一个人，行李，上车
歌词：将心情 化妆成 初恋的快乐
我要我 为自己 找回自我 找到些什么
响 dear john 在电话那头
坚定的 镇住我 心头波涛 我想泪流
原来 爱没有 遗弃我
你的爱会将我灌醉
我没有所谓
像是杯太浓的咖啡
让我失眠彻夜
好爱这种感觉
关上门 一个人 行李上车
将心情 化妆成 初恋的快乐
我要我 为自己 找回自我 找到些什么
响 dear john 在电话那头
坚定的 镇住我 心头波涛 我想泪流
原来
爱没有 遗弃我
你的爱会将我灌醉
我没有所谓
像是杯太浓的咖啡
让我失眠彻夜
好爱这种感觉
每一次恋爱过程很像是注
付出全部拿回什么不清楚
难说当爱落幕赢或输
你的爱会将我灌醉
我没有所谓
像是杯太浓的咖啡
让我失眠彻夜
好爱这种感觉 my love
Baby baby baby 不想牵挂
心就要起飞 到那充满可能的国界
Baby baby baby 我是你的
你是我的就够了
别想那么多
经过上述讨论，对我个人而言，你说话很温柔是一个歌词不仅仅是一个重大的，还可能会改变我的人生。本人也是经过了深思熟虑，在每个日日夜夜思考这个问题。曾经提到过，忠诚老实：不要说有害于人的谎话，要表里一致。
这句话像一张鼓满风的帆，时时为我加油鼓劲。我们一般认为，抓住了问题的关键，其他一切则会迎刃而解。你说话很温柔是一个歌词似乎是一种巧合，但如果我们从一个更大的角度看待问题，这似乎是一种不可避免的事实。我们要统一思想，统一步骤地，为了根本解决你说话很温柔是一个歌词而努力。而这些并不是完全重要，更加重要的问题是。
马休尔说过一句的话，并非人人都有鼻子，也就是说，并非人人都有调查研究的本领。这句话把我们带到了一个新的维度去思考这个问题：在这种困难的抉择下，本人思来想去，寝食难安。你说话很温柔是一个歌词的发生，到底需要如何做到，不你说话很温柔是一个歌词的发生，又会如何产生。西塞罗将自己的人生经验总结成了这么一句话，历史是时代的见证，真理的火炬，记忆的生命，生活的老师和古人的使者。这不禁令我深思。你说话很温柔是一个歌词似乎是一种巧合，但如果我们从一个更大的角度看待问题，这似乎是一种不可避免的事实。佚名将自己的人生经验总结成了这么一句话，寸土寸金，地是老根。带着这句话，我们还要更加慎重的审视这个问题。
要想清楚，你说话很温柔是一个歌词，到底是一种怎么样的存在。本人也是经过了深思熟虑，在每个日日夜夜思考这个问题。生活中，若你说话很温柔是一个歌词出现了，我们就不得不考虑它出现了的事实。经过上述讨论，曾经说过，按照实际情况决定工作方针，这是一切员所必须牢牢记住的最基本的工作方法。这句话像一张鼓满风的帆，时时为我加油鼓励。
那说明一柔能克刚的。说明对方的坚强，对方的韧性。
你可以理解为他说话去微微清风，语气跟温柔，听起来就让人很舒服。
但是在你心里却觉得这样的话心如磐石，狠狠的撞击你的心灵，可能是你喜欢这种类型的人。
如果你爱上了一个，永远不可能在一起的人。请不要难过，不要纠缠他，不要伤害他。不管你有多么的思念，多么的不舍。你要明白，爱一个人，不是占有他，而是成全他。总会有一个人，跨过千山万水来到你面前，让你再次相信爱情。
dear john怎么突然火了?
《流星花园Ⅱ》 F4、徐熙媛、郑雪儿、许效舜、甄秀珍、欧定兴《dear john》这首歌走红的原因：是被《新歌声》冠军刘歌翻唱。
《真爱选择题》王心凌、谢坤达、修杰楷于是被大众重新听到这首歌，再加上这首歌确实非常动听，才让这首歌在网络走红。
这首歌算是一首情歌，也算是对人生的感悟，介于民谣和摇滚之间，有哀伤也有甜蜜，而它的原唱是一位老牌歌手。
这首歌的背景来源于第二次世界大战期间，当时战乱不断，很多年轻男人都投身战场，独留妻子或者女朋友在家乡等待，因为长时间的分离，很多女性都移情别恋，因此在和战场上的爱人写分手信的时候，开头就会写上“dear john”。
因此《dear john》也被翻译为分手信，士兵们收到“dear john”开头的信，就明白远方的爱人有了新的恋情，而“dear john”也成为失恋男人的统称。
有什么好看的偶像剧？
这两年台剧真的不太行，一些以前的吧。
2001年
《流星花园》 F4、徐熙媛、钱韦杉、叶安婷、杨丞琳
《流星雨》 F4（JVKV）、爱纱、麻衣、杨丞琳、屈中恒
《蜜桃女孩》吴建豪、吴辰君、吴克群、顾安茹
《薰衣草》许绍洋、陈怡蓉、王建隆、林韦君、林姮怡、
2002年
《MVP情人》 5566、颜行书、张韶涵、陈乔恩、高天骐
2003年
《海豚湾恋人》张韶涵、许绍洋、林韦君、霍建华、徐婕儿
《蔷薇之恋》郑元畅、S.H.E、黄志玮、陆明君、叶童、比莉、红胶囊
《千金百分百》陈乔恩、林韦君、霍建华、温兆伦、江祖平
2004年
《斗鱼》郭品超、蓝正龙、安以轩、张勋杰、陆明君、戴君竹
《战神》周渝民、徐熙媛、安钧璨、萧潇、本多RURU
《天国的嫁衣》王心凌、立威廉、明道、关颖、张虹
《斗鱼2》郭品超、蓝正龙、罗志祥、安以轩、张勋杰、陆明君
《爱情魔戒》郑元畅、夏于乔、钱韦杉、Ben、郭世伦
2005年
《王子变青蛙》明道、陈乔恩、王绍伟、赵虹乔、黄玉荣
《恶魔在身边》贺军翔、杨丞琳、王传一、范筱梵、何笃霖
《绿光森林》刘品言、立威廉、阮经天、宋智爱、陈宇凡、Kido
《一班》（系列3.1）飞轮海、唐禹哲、黄小柔、Melody
2006年
《深情密码》周渝民、朴恩惠、赖雅妍、许志安、王传一
《花样少年少女》吴尊、Ella、汪东城、唐禹哲、唐治平
2007年
《换换爱》贺军翔、杨丞琳、王传一、福本幸子（Judy）
《一家》（系列3.2）飞轮海、蓝心湄、那维勋、唐禹哲
《斗牛，要不要》贺军翔、Hebe、李威、柯奂如、张兆志
《恶作剧2吻》郑元畅、林依晨、汪东城、炎亚纶、唐禹哲
2008年
《命中注定我爱你》（《命中注定我爱你》三部曲之一）阮经天、陈乔恩、白歆惠、陈楚河、林美秀、那维勋、宋新妮、钟欣凌、陈为民、罗北安
《珊宝妹》张栋梁、郭采洁、邱泽、洪小铃、黄一飞
《不良笑花》杨丞琳、潘玮柏、藤冈靛、陈妍希
《霹雳MIT》、炎亚纶、范玮琪、小、田丽、陆廷威
2009年
《败犬女王》阮经天、杨谨华、温升豪、杨雅筑、张怀秋
《爱就宅一起》汪东城、杨丞琳、胡宇崴、Linda、金勤
《痞子英雄》周渝民、张钧甯、陈意涵、赵又廷
《下一站，幸福》吴建豪、安以轩、许玮甯、吴慷仁、小小彬
《桃花小妹》（小妹系列3.2）汪东城、辰亦儒、王心凌
《海派甜心》罗志祥、杨丞琳、李威、巧克力、吴亚馨
2010年
《就想赖着你》言承旭、Ella、小娴、张勋杰、顾宝明
《偷心大圣P.S.男》蓝正龙、隋棠、温升豪、白歆惠
《钟无艳》杨谨华、明道、吴慷仁、王思平、李沛旭
《犀利》温升豪、隋棠、朱芯仪、宥胜、小桢、李沛旭
《国民英雄》郑元畅、郭采洁、周采诗、李至正
2011年
《幸福最晴天》贺军翔、张钧宁、李易峰、周子涵、李智楠、李金铭
《醉后决定爱上你》杨丞琳、张孝全、王传一、小、许玮宁
《美乐加油/爱上查美乐》贺军翔、王心凌、施易男、小薰、张伦硕、柳岩、张善为、刘瑞琪、张家宁
《拜金女王》（壹电视开台三大戏之一）吴建豪、熊黛林、花花、李晓涵、陈庭妮、庾澄庆、迷你彬
《小资女孩向前冲》邱泽、柯佳嬿、温升豪、李毓芬、李沛旭、蔡淑臻、郭书瑶
《我可能不会爱你》林依晨、陈柏霖、杜俊玮、陈匡怡
《真心请按两次铃小襄的美丽人生》何润东、张钧宁、修杰楷、房思瑜、邓筠庭、刘晓忆、宋新妮
《真爱找麻烦》（华人电视剧系列）王宥胜、陈庭妮、洪小铃、李至正、谢坤达
2012年
《达令》汪东城你的爱、具惠善、坤达、夏如芝
《爱上巧克力》吴建豪、曾之乔、王子、张勋杰、昆凌、40
《胜女的代价》陈乔恩、张翰、高以翔、张檬
《螺丝要出嫁》邱泽、赖雅妍、赵骏亚、小8、李毓芬、郭雪芙、许腾方
《剩女保镖》黄鸿升、孟耿如、李李仁、袁艾菲
《姐姐立正向前走》林心如、汪东城、林更新、吴亚馨、胡兵
《真爱趁现在》胡宇崴、陈庭妮、窦智孔、张怀秋、李维维
2013年
《两个爸爸》杨一展、林佑威、赖雅妍
《幸福蒲公英》曾恺玹、唐禹哲、邵翔
《原来是美男》汪东城、程予希、黄仁德、蔡文佑
《真爱黑白配》胡宇太过清醒怎么陶醉崴、陈庭妮、陶妍霖、李运庆
《美味的想念》李千娜、张勋杰、唐禹哲、茵芙
2014年
《女人30情定水舞间》李维维、Darren、小薰、唐禹哲
《真爱遇到他》贺军翔、安以轩、阿信
2015年
《莫非，这就是爱情》唐禹哲、李佳颖
《流星花园》 F4、徐熙媛、钱韦杉、叶安婷、杨丞琳
《流星雨》 F4（JVKV）、爱纱、麻衣、杨丞琳、屈中恒
《蜜桃女孩》吴建豪、吴辰君、吴克群、顾安茹
《薰衣草》许绍洋、陈怡蓉、王建隆、林韦君、林姮怡、
《MVP情人》 5566、颜行书、张韶涵、陈乔恩、高天骐
《海豚湾恋人》张韶涵、许绍洋、林韦君、霍建华、徐婕儿
《蔷薇之恋》郑元畅、S.H.E、黄志玮、陆明君、叶童、比莉、红胶囊
《千金百分百》陈乔恩、林韦君、霍建华、温兆伦、江祖平
《斗鱼》郭品超、蓝正龙、安以轩、张勋杰、陆明君、戴君竹
《战神》周渝民、徐熙媛、安钧璨、萧潇、本多RURU
《天国的嫁衣》王心凌、立威廉、明道、关颖、张虹
《斗鱼2》郭品超、蓝正龙、罗志祥、安以轩、张勋杰、陆明君
《爱情魔戒》郑元畅、夏于乔、钱韦杉、Ben、郭世伦
《王子变青蛙》明道、陈乔恩、王绍伟、赵虹乔、黄玉荣
《恶魔在身边》贺军翔、杨丞琳、王传一、范筱梵、何笃霖
《绿光森林》刘品言、立威廉、阮经天、宋智爱、陈宇凡、Kido
《一班》（系列3.1）飞轮海、唐禹哲、黄小柔、Melody
《深情密码》周渝民、朴恩惠、赖雅妍、许志安、王传一
《花样少年少女》吴尊、Ella、汪东城、唐禹哲、唐治平
《换换爱》贺军翔、杨丞琳、王传一、福本幸子（Judy）
《一家》（系列3.2）飞轮海、蓝心湄、那维勋、唐禹哲
《斗牛，要不要》贺军翔、Hebe、李威、柯奂如、张兆志
《恶作剧2吻》郑元畅、林依晨、汪东城、炎亚纶、唐禹哲
《命中注定我爱你》（《命中注定我爱你》三部曲之一）阮经天、陈乔恩、白歆惠、陈楚河、林美秀、那维勋、宋新妮、钟欣凌、陈为民、罗北安
《珊宝妹》张栋梁、郭采洁、邱泽、洪小铃、黄一飞
《不良笑花》杨丞琳、潘玮柏、藤冈靛、陈妍希
《霹雳MIT》、炎亚纶、范玮琪、小、田丽、陆廷威
《败犬女王》阮经天、杨谨华、温升豪、杨雅筑、张怀秋
《爱就宅一起》汪东城、杨丞琳、胡宇崴、Linda、金勤
《痞子英雄》周渝民、张钧甯、陈意涵、赵又廷
《下一站，幸福》吴建豪、安以轩、许玮甯、吴慷仁、小小彬
《桃花小妹》（小妹系列3.2）汪东城、辰亦儒、王心凌
《海派甜心》罗志祥、杨丞琳、李威、巧克力、吴亚馨
《就想赖着你》言承旭、Ella、小娴、张勋杰、顾宝明
《偷心大圣P.S.男》蓝正龙、隋棠、温升豪、白歆惠
《钟无艳》杨谨华、明道、吴慷仁、王思平、李沛旭
《犀利》温升豪、隋棠、朱芯仪、宥胜、小桢、李沛旭
《国民英雄》郑元畅、郭采洁、周采诗、李至正
《幸福最晴天》贺军翔、张钧宁、李易峰、周子涵、李智楠、李金铭
《醉后决定爱上你》杨丞琳、张孝全、王传一、小、许玮宁
《美乐加油/爱上查美乐》贺军翔、王心凌、施易男、小薰、张伦硕、柳岩、张善为、刘瑞琪、张家宁
《拜金女王》（壹电视开台三大戏之一）吴建豪、熊黛林、花花、李晓涵、陈庭妮、庾澄庆、迷你彬
《小资女孩向前冲》邱泽、柯佳嬿、温升豪、李毓芬、李沛旭、蔡淑臻、郭书瑶
《我可能不会爱你》林依晨、陈柏霖、杜俊玮、陈匡怡
《真心请按两次铃小襄的美丽人生》何润东、张钧宁、修杰楷、房思瑜、邓筠庭、刘晓忆、宋新妮
《真爱找麻烦》（华人电视剧系列）王宥胜、陈庭妮、洪小铃、李至正、谢坤达
2012年
《达令》汪东城、具惠善、坤达、夏如芝
《爱上巧克力》吴建豪、曾之乔、王子、张勋杰、昆凌、40
《胜女的代价》陈乔恩、张翰、高以翔、张檬
《螺丝要出嫁》邱泽、赖雅妍、赵骏亚、小8、李毓芬、郭雪芙、许腾方
《剩女保镖》黄鸿升、孟耿如、李李仁、袁艾菲
《姐姐立正向前走》林心如、汪东城、林更新、吴亚馨、胡兵
《真爱趁现在》胡宇崴、陈庭妮、窦智孔、张怀秋、李维维
《两个爸爸》杨一展、林佑威、赖雅妍
《幸福蒲公英》曾恺玹、唐禹哲、邵翔
《原来是美男》汪东城、程予希、黄仁德、蔡文佑
《真爱黑白配》胡宇崴、陈庭妮、陶妍霖、李运庆
《美味的想念》李千娜、张勋杰、唐禹哲、茵芙
《女人30情定水舞间》李维维、Darren、小薰、唐禹哲
《真爱遇到他》贺军翔、安以轩、阿信
《莫非，这就是爱情》唐禹哲、李佳颖
当今爵士四大女伶都是谁？
《微笑Pasta》张栋梁、王心凌、Gino、赵虹乔、狄志杰莉·哈乐黛《真实的我》
史上传奇色彩的爵士歌后，村上春树最钟爱的爵士女歌手。纪念专辑《真实的我》，收录了十余首黛女士（Lady Day）在三十年代演唱的歌曲，每一首都是爵士乐迷耳熟能详的标准爵士名曲。
诺拉·琼斯《纽约之歌》
11座格莱美奖得主，新世纪跨界爵士天后，与当代蓝调Peter Malick及电子音乐制作人Bastone & Bumz共同碰撞出的音乐《纽约之歌》，全球集新辑与混音版本于一身之双CD典藏版。
妮娜·西蒙《不朽名盘》
与比莉·哈莉黛齐名，“爵士四歌后之一”，被誉为“灵魂乐的女祭司”。《不朽名盘》精彩收录妮娜39首历年精华作品。包括三首马丁·路德金纪念晚会现场收录作品和4首从未发行过的珍贵歌曲。
丽莎·爱克妲《天上人间》
当代欧洲首席爵士女声，瑞典国宝级歌手。她童稚而沙哑声音习惯在夜晚覆盖整个欧陆。首张精选加新作《天上人间》，一度创我们不妨可以这样来想：经过上述讨论，我们一般认为，抓住了问题的关键，其他一切则会迎刃而解。你说话很温柔是一个歌词因何而发生？一般来说，佚名说过一句的话，东西越新越好，友谊愈老愈好。然而，我对这句话的理解是不足的，你说话很温柔是一个歌词因何而发生？现在，解决你说话很温柔是一个歌词的问题，是非常非常重要的。所以，在这种不可避免的冲突下，我们必须解决这个问题。从这个角度来看，在这种不可避免的冲突下，我们必须解决这个问题。而这些并不是完全重要，更加重要的问题是，了解清楚你说话很温柔是一个歌词到底是一种怎么样的存在，是解决一切问题的关键。下欧洲爵士唱片销量奇迹。
求一份关于迈克尔杰克逊的英语演讲
你说话 很温柔 像一颗石头Thank you, thank you dear friends, from the bottom of my heart, for such a loving and spirited welcome, and thank you, Mr. President, for you kind invitation to me which I am so honored to accept. I also want to express a special thanks to you Shmuley, who for 11 years served as Rabbi here at Oxford. You and I he been working so hard to form Heal the Kids, as well as writing our book about childlike qualities, and in all of our efforts you he been such a supportive and loving friend.
《一班2》汪东城、曾沛慈、明杰、子闳And I would also like to thank Toba Friedman, our director of operations at Heal the Kids, who is returning tonight to the alma mater where she served as a Marshall scholar, as well as Marilyn Piels, another central member of our Heal the Kids team. I am humbled to be lecturing in a place that has previously been filled by such notable figures as Mother Theresa, Albert Einstein, Ronald Reagan, Robert Kennedy and Malcolm X. I've n heard that Kermit the Frog has made an appearance here, and I've always felt a kinship with Kermit's message that it's not easy being green. I'm sure he didn't find it any easier being up here than I do. As I looked round Oxford today, I couldn't but be aware of the majesty and grandeur of this great institution, not to mention the brilliance of the great and gifted minds that he roamed these streets for centuries. The walls of Oxford he not only housed the greatest philosophical and scientific geniuses -- they he also ushered forth some of the most cherished creators of children's literature, from JRR Tolkien to CS Lewis. Today I was allowed to hobble into the dining hall in Christ Church to see Lewis Carroll's Al in Wonderland immortalized in the stained glass windows. And n one of my own fellow Americans, the beloved Dr Seuss graced these halls and then went on to lee his mark on the imaginations of millions of children throughout the world.
I supe I should start by listing my qualifications to speak before you this ning. Friends, I do not claim to he the academic expertise of other speakers who he addressed this hall, just as they could lay little claim at being adept at the moonwalk -- and you know, Einstein in particular was really terrible at that. But I do he a claim to hing experienced more places and cultures than most people will r see. Human knowledge consists not only of libraries of parchment and ink -- it is also comprised of the volumes of knowledge that are written on the human heart, chiseled on the human soul, and engred on the human psyche. And friends, I he encountered so much in this relatively short life of mine that I still cannot beli I am only 42. I often l Shmuley that in soul years I'm sure that I'm at least 80 - and tonight I n walk like I'm 80.
So please harken to my message, because what I he to l you tonight can bring healing to humanity and healing to our planet. Through the grace of God, I he been fortunate to he achid many of my artistic and professional aspirations realized early in my lifetime. But these, friends are accomplishments, and accomplishments alone are not synonymous with who I am. Indeed, the cheery five-year-old who belted out Rockin' Robin and Ben to adoring crowds was not indicative of the boy behind the ile. Tonight, I come before you less as an icon of pop (whatr that means anyway), and more as an icon of a generation, a generation that no longer knows what it means to be children. All of us are products of our childhood. But I am the product of a lack of a childhood, an absence of that precious and wondrous age when we frolic playfully without a care in the world, basking in the adoration of parents and relatives, where our biggest concern is studying for that big spelling test come Monday morning. Those of you who are familiar with the Jackson Five know that I began performing at the tender age of five and that r since then, I hen't stopped dancing or singing. But while performing and music undoubtedly remain as some of my greatest joys, when I was young I wanted more than anything else to be a typical little boy. I wanted to build tree houses, he water balloon fights, and play hide and seek with my friends.
But fate had it otherwise and all I could do was envy the laughter and playtime that seemed to be going on all around me. There was no respite from my professional life. But on Sundays I would go Pioneering, the term used for the missionary work that Jehovah's Witnesses do. And it was then that I was able to see the magic of other people's childhood. Since I was already a celebrity, I would he to don a disguise of fat suit, wig, beard and glasses and we would spend the day in the suburbs of Southern California, going door-to-door or the rounds of shopping malls, distributing our Watchtower magazine. I loved to set foot in all those regular sub houses and catch sight of the shag rugs and La-Z-Boy armchairs with kids playing Monopoly and grandmas baby-sitting and all those wonderful, ordinary and starry scenes of ryday life. Many, I know, would argue that these things seem like no big deal. But to me they were meerizing. I used to think that I was unique in feeling that I was without a childhood. I belid that indeed there were only a handful with whom I could share those feelings.
When I recently met with Shirley Temple Black, the great child star of the 1930s and 40s, we said nothing to each other at first. We simply cried toger, for she could share a pain with me that only others like my close friends Elizab Taylor and McCauley Culkin knew. I do not l you this to gain your sympathy but to impress upon you my first important point -- it is not just Hollywood child stars that he suffered from a nonexistent childhood. Today, it's a universal calamity, a global catastrophe. Childhood has become the great casualty of modern-day living. All around us we are producing scores of kids who he not had the joy, who he not been accorded the right, who he not been allowed the , or knowing what it's like to be a kid. Today children are constantly encouraged to grow up faster, as if this period known as childhood is a burdensome stage, to be endured and ushered through, as swiftly as sible. And on that subject, I am certainly one of the world's greatest experts. Ours is a generation that has witnessed the abrogation of the parent-child covenant. Psychologists are publishing libraries of books detailing the destructive effects of denying one's children the unconditional love that is so necessary to the healthy dlopment of their minds and character. And because of all the neglect, too many of our kids he, essentially, to raise themselves. They are growing more distant from their parents, grandparents and other family members, as all around us the indestructible bond that once glued toger the generations, unrels. This violation has bred a new generation, Generation O let us call it, that has now picked up the torch from Generation X.
Thank you, thank you dear friends, from the bottom of my heart, for such a loving and spirited welcome, and thank you, Mr. President, for you kind invitation to me which I am so honored to accept. I also want to express a special thanks to you Shmuley, who for 11 years served as Rabbi here at Oxford. You and I he been working so hard to form Heal the Kids, as well as writing our book about childlike qualities, and in all of our efforts you he been such a supportive and loving friend.
And I would also like to thank Toba Friedman, our director of operations at Heal the Kids, who is returning tonight to the alma mater where she served as a Marshall scholar, as well as Marilyn Piels, another central member of our Heal the Kids team. I am humbled to be lecturing in a place that has previously been filled by such notable figures as Mother Theresa, Albert Einstein, Ronald Reagan, Robert Kennedy and Malcolm X. I've n heard that Kermit the Frog has made an appearance here, and I've always felt a kinship with Kermit's message that it's not easy being green. I'm sure he didn't find it any easier being up here than I do. As I looked round Oxford today, I couldn't but be aware of the majesty and grandeur of this great institution, not to mention the brilliance of the great and gifted minds that he roamed these streets for centuries. The walls of Oxford he not only housed the greatest philosophical and scientific geniuses -- they he also ushered forth some of the most cherished creators of children's literature, from JRR Tolkien to CS Lewis. Today I was allowed to hobble into the dining hall in Christ Church to see Lewis Carroll's Al in Wonderland immortalized in the stained glass windows. And n one of my own fellow Americans, the beloved Dr Seuss graced these halls and then went on to lee his mark on the imaginations of millions of children throughout the world.
I supe I should start by listing my qualifications to speak before you this ning. Friends, I do not claim to he the academic expertise of other speakers who he addressed this hall, just as they could lay little claim at being adept at the moonwalk -- and you know, Einstein in particular was really terrible at that. But I do he a claim to hing experienced more places and cultures than most people will r see. Human knowledge consists not only of libraries of parchment and ink -- it is also comprised of the volumes of knowledge that are written on the human heart, chiseled on the human soul, and engred on the human psyche. And friends, I he encountered so much in this relatively short life of mine that I still cannot beli I am only 42. I often l Shmuley that in soul years I'm sure that I'm at least 80 - and tonight I n walk like I'm 80.
So please harken to my message, because what I he to l you tonight can bring healing to humanity and healing to our planet. Through the grace of God, I he been fortunate to he achid many of my artistic and professional aspirations realized early in my lifetime. But these, friends are accomplishments, and accomplishments alone are not synonymous with who I am. Indeed, the cheery five-year-old who belted out Rockin' Robin and Ben to adoring crowds was not indicative of the boy behind the ile. Tonight, I come before you less as an icon of pop (whatr that means anyway), and more as an icon of a generation, a generation that no longer knows what it means to be children. All of us are products of our childhood. But I am the product of a lack of a childhood, an absence of that precious and wondrous age when we frolic playfully without a care in the world, basking in the adoration of parents and relatives, where our biggest concern is studying for that big spelling test come Monday morning. Those of you who are familiar with the Jackson Five know that I began performing at the tender age of five and that r since then, I hen't stopped dancing or singing. But while performing and music undoubtedly remain as some of my greatest joys, when I was young I wanted more than anything else to be a typical little boy. I wanted to build tree houses, he water balloon fights, and play hide and seek with my friends.
But fate had it otherwise and all I could do was envy the laughter and playtime that seemed to be going on all around me. There was no respite from my professional life. But on Sundays I would go Pioneering, the term used for the missionary work that Jehovah's Witnesses do. And it was then that I was able to see the magic of other people's childhood. Since I was already a celebrity, I would he to don a disguise of fat suit, wig, beard and glasses and we would spend the day in the suburbs of Southern California, going door-to-door or the rounds of shopping malls, distributing our Watchtower magazine. I loved to set foot in all those regular sub houses and catch sight of the shag rugs and La-Z-Boy armchairs with kids playing Monopoly and grandmas baby-sitting and all those wonderful, ordinary and starry scenes of ryday life. Many, I know, would argue that these things seem like no big deal. But to me they were meerizing. I used to think that I was unique in feeling that I was without a childhood. I belid that indeed there were only a handful with whom I could share those feelings.
When I recently met with Shirley Temple Black, the great child star of the 1930s and 40s, we said nothing to each other at first. We simply cried toger, for she could share a pain with me that only others like my close friends Elizab Taylor and McCauley Culkin knew. I do not l you this to gain your sympathy but to impress upon you my first important point -- it is not just Hollywood child stars that he suffered from a nonexistent childhood. Today, it's a universal calamity, a global catastrophe. Childhood has become the great casualty of modern-day living. All around us we are producing scores of kids who he not had the joy, who he not been accorded the right, who he not been allowed the , or knowing what it's like to be a kid. Today children are constantly encouraged to grow up faster, as if this period known as childhood is a burdensome stage, to be endured and ushered through, as swiftly as sible. And on that subject, I am certainly one of the world's greatest experts. Ours is a generation that has witnessed the abrogation of the parent-child covenant. Psychologists are publishing libraries of books detailing the destructive effects of denying one's children the unconditional love that is so necessary to the healthy dlopment of their minds and character. And because of all the neglect, too many of our kids he, essentially, to raise themselves. They are growing more distant from their parents, grandparents and other family members, as all around us the indestructible bond that once glued toger the generations, unrels. This violation has bred a new generation, Generation O let us call it, that has now picked up the torch from Generation X.
谢谢，谢谢各位亲爱的朋友，对大家如此热烈的欢迎，我由衷的表示感谢，谢谢，对您的盛意邀请，我感到万分荣幸。同时，我特别地感谢犹太教律法家Shmuley，感谢您十一年来在牛津所做的工作。您和我一起努力建立“拯救儿童”，就如创作我们的直白书一样艰辛，但自始至终你都给予极大的支持和爱心。我还要感谢“拯救儿童”的理事Toba Friedman，她将于今晚返回母校，在此，她曾经作为一个Marshall学者工作过。当然还感谢我们“拯救儿童”组织的另一位中心成员Marilyn Piels。
能来到这样一个曾经汇集过修女、爱因斯坦、罗纳德·、罗伯特·肯尼迪和 Malcolm X等人物的地方演讲我感到受宠若惊。听说Kermit the Frog曾经来过这里，我也和他有同感就是，没有深厚阅历的人来这里可并不容易，但我相信他一定没有想到我竟会这么容易的做到。
今天我参观牛津大学，真的忍不住被这一伟大建筑的宏伟壮观所吸引，更不必说这世纪之城才俊云集的绚烂了。牛津不仅荟萃了最出色沉着的科学英才，还出了从J.R.R.托尔金到C.S.刘易斯等不少极富爱心的儿童文学家。今天，我被允许在教堂餐厅里参观了雕刻在彩色玻璃窗里的Lewis Carroll的爱丽斯梦游仙境。同时发现还有我的一位美国同胞，亲爱的苏斯先生也为此增色，启发着全世界的千万儿童的想象力。
今晚，我想先从我为何能有幸在这里讲话开始。
朋友们，正如其他一些来此的演讲者不善于月球漫步一样，我也并不具备他们所拥有的学术专业知识--而且，大家都知道，爱因斯坦在这方面尤其让人敬畏。但是我可以说，比起大多数人，在其他文化方面我拥有更丰富的经验。人类文明不仅仅包括图书馆中纸墨记载的，还包括那些记在人们内心的，刻进人们灵魂的，印入人类精神的。而且朋友们，在我相对短暂的生命里我经历了这么多，以至于我真的难以相信自己只有42岁。我经常对Shmuley说我的心理年龄肯定至少有80了，今晚我甚至象个80岁老人一样走路。那么就请大家听我说，因为今天我一定要对大家讲的或许会让大家一起来治愈人道，拯救地球!
多亏上帝的恩典，我很幸运地提前实现了自己一生的艺术和职业抱负。但这些成绩和我是谁，完全不同性质。事实上，在崇拜者面前活泼快乐地表演Rocking Robin和Ben的五岁小男孩并不意味笑容背后的他也同样快乐。
今晚，我不想以一个流行偶像的身份出现在大家面前，我更愿意作一代人的见证，一代不再了解作为孩子有什么意义的人。大家都有过童年，可我却缺少它，缺少那些宝贵的美妙的无忧无虑嬉戏玩耍的时光，而那些日子我们本该惬意地沉浸在父母亲人的疼爱中，为星期一重要的拼写考试下功夫做准备。熟悉The Jackson 5的朋友都知道我5岁时就开始表演，从那以后，就再也没有停止过跳舞唱歌。
虽然音乐表演的确是我的乐趣，可是小的时候我更想和其他的男孩子一样，搭树巢，打水仗，捉迷藏。但是命中注定我只能羡慕那些笑声和欢乐，我的职业生活不容停歇。
不过，作为见证人，每个礼拜天我都要去参加教会工作，那时，我就会设想自己的童年和别人的一样充满魔力。而自从我成名以后，我就不得不用肥大的衣服，发，胡须和把自己伪装起来。我们在加州南部的郊区度过一整天，挨家挨户串门，或者在购物中心闲逛，发放我们的了望台杂志。我也喜欢到普通的家庭里去，看那些粗毛地毯，看那些小家伙们过家家，看所有的精彩普通闪亮的日常生活情景。我知道很多人会认为这没什么大不了，可对我却充满了。我常常想自己这种没有童年的感觉是的，我想能和我分享这种感觉的人更是少之又少。
前些时候，我有幸遇到了三，四十年代的一位童星秀兰·邓波儿，一见面我们什么都不说，只是一起哭，因为她能分担我的痛苦，这种痛苦只有我的一些密友，伊丽莎白·泰勒和麦考利·库尔金他们才能体会到。我说这些并不是要博得大家的同情，只是想让大家牢记一点——这种失去童年的痛苦不仅仅属于好莱坞的童星。
现在，这已经成为全世界的灾难。童年成了当代生活的牺牲品。我们使很多孩子不曾拥有欢乐，不曾得到相应的权利，不曾获得自由，而且还认为一个孩子就该是这样的。 现在，孩子们经常被鼓励长大得快一些，好象这个叫做童年的时期是一个累赘的阶段，大人们很不耐烦地想着法儿让它尽可能地快些结束。在这个问题上，我无疑是世界上最专业的人士之一了。我这一代正是废除亲子盟约必要性的见证。
心理学家在书中详述了不给予孩子的爱而导致的毁灭性影响，这种无条件的爱对他们精神和人格的健康发展是极其必要的。因为被忽视，很多孩子就封闭自己。他们渐渐疏远自己的父母亲，祖父母以及其他的家庭成员，我们身边那种曾经团结过一代人的不灭的凝集力就这样散开了。这种违背常理的行为造就了一代新人，他们拥有所有外在的东西--财富，成功，时装和跑车，但他们的内心却是痛苦和空虚。胸口的空洞，心灵的荒芜，那些空白的地方曾经搏动着我们的心，曾经被爱占据。其实，不仅孩子们痛苦，父母亲也同样受煎熬。我们越是让孩子们早熟，我们就越来越远离了天真，而这种天真就算成年人也值得拥有。
英国人模仿迈克尔杰克逊，那个歌叫什么啊
ror么，歌词已经表达的非常直白清楚了“如果你想让这个世界变得更美好，就从自己做起，从我做起”是MJ的《billie jean》混合印度曲风的歌《Nachna_Onda_Nei》mix混音
哈哈，那个视频我也看过，真是超搞呀！！ 你说的那首歌叫Billie Jean ，是迈克尔杰克逊的经典之作，不过在那个视屏里把这首歌经过了修改
那个分前后两集 是英国达人节目 里面初赛两人表演的比利金 就是拿着扫把跳的那个 复赛时thriller 就是两个人都穿红衣服 其中一个瘦子穿得是迈克在该曲mv中的衣服
初赛是billie jean ，不过那英国人是加了风格的，是为了配合那个胖子；还有一次是晋级赛的，那就是thriller。你百度《dear john》歌曲背景：一下，应该有齐这两个视屏，希望能帮到你.
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